Robert Oppenheimer” by Martin Sherwin and Kai Bird, the three-hour “Oppenheimer” is as downbeat as its weekend competition “Barbie” is upbeat. Those events provide fodder for the film’s other section, the austere black-and-white “Fusion.”Īn adaptation of the Pulitzer Prize-winning book “American Prometheus: The Triumph and Tragedy of J. Atomic Energy Commission Lewis Strauss (Robert Downey Jr.). His political views, and second-thoughts about the destructive power he unleashed on the world, pitted him against his military bosses and founding commissioner of the U.S. His close ties to the Communist Party, through his ex-girlfriend, psychiatrist Jean Tatlock (Florence Pugh) and brother Frank (Dylan Arnold), is just one element of the left-leaning beliefs that eventually got his security clearance revoked. Charged with beating the Nazis and the Russians in a race to build a weapon of mass destruction, Oppenheimer became, in his own words, “the destroyer of worlds.” Leslie Groves (Matt Damon) as the director of the Manhattan Project. The brightly colored “Fission” portrays the prickly Oppenheimer’s (Cillian Murphy) life as a tortured genius who overcame anti-Semitism to rise through the ranks of the European and American scientific elite to be recruited by the gruff Lt. Nolan divides the story into two sections. “Just because we’re building it doesn’t mean we get to decide how it’s used,” he says of the atomic bomb. In his twelfth film, director Christopher Nolan includes biographical details in telling the tale of the man who invented the first nuclear weapons, but the movie is more about consequences than creation. “Oppenheimer,” the story of the father of the atomic bomb, isn’t exactly a biopic of scientist J.
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